tag:blogger.com,1999:blog-8705456930920146134.post5826541830017528074..comments2010-12-07T11:36:45.744-08:00Comments on Lumière-et-son: A Beauty Overblown (Krasota)Philip Sandersonhttp://www.blogger.com/profile/18425749272192387194noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-8705456930920146134.post-63808418894882694572010-06-20T00:30:05.210-07:002010-06-20T00:30:05.210-07:00It maintains a fine balance between total excess (...It maintains a fine balance between total excess (beauty overblown) and perfection. The tension maintained in some way by the figure(s) with their backs to the the audience gazing at the screen.Philip Sandersonhttps://www.blogger.com/profile/18425749272192387194noreply@blogger.comtag:blogger.com,1999:blog-8705456930920146134.post-47984379844679251972010-06-19T10:26:41.166-07:002010-06-19T10:26:41.166-07:00nice!
fine intro to zefira, & straight son mon...nice!<br />fine intro to zefira, & straight son montage<br />a pleasure to see the whole stuff unreeled at a 3rd of the speed, with quite superb color overlays... and great with the two white sidebars.. <br /><br />" For example, in painting the form arises from abstract elements of line and color, while in Lumiere & Son the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation." Sergei EisensteinSAM RENSEIWhttps://www.blogger.com/profile/04693688588411438188noreply@blogger.com